When you first start working with colored pencils, deciding which pencil is the right color for the moment is a matter of picking up one that seems like it might be close (based on the color of its core), scribbling a little on a scrap or the border of your drawing, assessing whether that’s indeed the color you hoped, and if it’s not, trying again. Lather, rinse, repeat.
This adds up to a lot of time over the course of a finished drawing, especially since those little scribbles can’t tell you later which pencil they came from. It’s surprising how different from the pencil core a swatch can look. You end up trying the same pencils multiple times. I actually saw a finished drawing at the California State Fair in which the artist left their test-swatch border clearly visible and remarked on it in the artwork description.
This time loss is compounded if you have a large set of colored pencils such as the full set of 150 Prismacolors, and even more if you have multiple large sets of colored pencils. So many greens! So many blues! Where to even start? It can seem overwhelming. You might be tempted to print a color sheet from the manufacturer, but don’t: your printer’s inks will not match the pencils’ cores, and the printed colors will vary from printer to printer.
Here’s my time-saving system. In a previous blog post I described how I organize my sets of pencils, and that is half the solution. The other half is making your own swatch charts and keeping them on your drawing table while you work. I’ve already done the hard part for you! You can download swatch charts for the full sets of most major brands of colored pencils from my website. They’re free–my gift to you as a fellow colored pencil artist. Print one out and color the “points” with your own pencils, matching the color name on your pencil to the color name on the chart. I recommend only coloring the “points”, not the whole “pencils”, so you can easily read the numbers and names. Tape your finished chart to the top of your drawing board. It’s important that your reference, your drawing, and the chart all be illuminated by the same light, otherwise your eyes may be fooled into mismatches. Now, notice that the swatches are numbered from 1 to whatever the set size is. Those numbers correspond to the number tags you put on your pencils (you did read my other blog post, right?). I recommend the numeric tags, because the color names on pencils are stamped with metallic paint and are therefore hard to read and take even more of your precious time.
Now when you’re working on a landscape and your reference has a deep blue color, look for a match on your swatch chart. If its number is 44, pull the pencil tagged 44 from your set. Voilá! Look how much time you just saved!
You’re welcome! 🙂